TAB BENOIT & THE DIRTY DOZEN BRASS BAND
TO PERFORM AT THE MOBILE CIVIC CENTER THEATER
ON SUNDAY, OCTOBER 16 AT 8 PM

TICKETS ON SALE THIS FRIDAY, AUGUST 5 AT 10 AM!
Ticket Prices: $34.50 and up
(Additional fees may apply.)

Presented by AEG Presents

 

Tickets can be purchased online at bit.ly/tabdd22. Purchase in person at the Mobile Civic Center Box Office (401 Civic Center Drive; open Monday – Friday, 9 a.m. to 5 p.m.; 251-208-7906) or the Saenger Theatre Box Office (6 South Joachim Street; open Monday – Friday, 10 a.m. to 2 p.m.; 251-208-5600). For information regarding accessible seating tickets, call 251-208-7381.  (Additional fees, service charges and/or taxes may be added to ticket prices. All dates, acts and ticket prices subject to change without notice.)

 

About The Artists

Tab Benoit

GRAMMY Award nominee, singer, songwriter, and guitarist Tab Benoit has built a remarkable 30+ year career on the foundation of his gritty, soulful Delta swamp blues.

In 1992 Benoit released his first recording Nice and Warm on the Justice Label. The title track became a AAA Radio hit and Benoit’s touring career kicked into high gear. Nice and Warm prompted comparisons to blues guitar heavyweights like Albert King, Albert Collins and even Jimi Hendrix. Tab began playing two-hundred and fifty shows a year, a schedule he has kept up for over twenty years. He recorded four albums for Justice Records before being signed to the Vanguard label, and became Louisiana’s Number One Blues export. Vanguard allowed Tab to produce his own recordings; Tab wanted to record the sound that he was trying to create and in 1999 Vanguard Records released These Blues Are All Mine.

Tab Benoit’s music evolved again after he signed with the Telarc International/Concord Music Group in 2002. He began to strip it down to a three-piece group, where he found more freedom as a guitarist. He was also on a mission in wanting to use his music and his energy to bring attention to Louisiana’s coastal erosion issues. Tab began to spend more time in the Wetlands and it was where he began to write his songs. Wetlands was the title of his first Telac/Concord International release. The record combined many musical styles that are indigenous to Louisiana, while he began to play accordion lines and washboard on guitar. Wetlands was a mile marker that definitively marked Tab’s further musical progression into his own original sound and style.

Following the release of Wetlands in 2004 Benoit founded the Voice of the Wetlands non-profit organization and began to use music and gather other musicians to use their platforms for getting the message out. He put together an all-star band that featured Cyril Neville, Anders Osborne, George Porter Jr, Big Chief Monk Boudreaux, Johnny Vidacovich, Johnny Sansone, and Waylon Thibodeaux that became The Voice of the Wetlands All-Stars. The Voice of the Wetlands All-Stars have released two CDs and occasionally tour throughout the country.

Benoit recently launched his own imprint, Whiskey Bayou Records, with partner and manager, Rueben Williams. The label has thus far released albums by such established artists as Eric McFadden, Damon Fowler, Eric Johanson, Jeff McCarty, and Dash Rip Rock. In 2019 Benoit hits the road for a major U.S. Tour, the Whiskey Bayou Revue, featuring Benoit and several of his label’s artists.

THE DIRTY DOZEN BRASS BAND

Celebrating over 40 years since their founding in 1977, New Orleans-based Dirty Dozen Brass Band has taken the traditional foundation of brass band music and incorporated it into a blend of genres including Bebop Jazz, Funk and R&B/Soul. This unique sound, described by the band as a ‘musical gumbo,’ has allowed the Dirty Dozen to tour across 5 continents and more than 30 countries, record 12 studio albums and collaborate with a range of artists from Modest Mouse to Widespread Panic to Norah Jones. Forty-plus years later, the Dirty Dozen Brass Band is a world famous music machine whose name is synonymous with genre-bending romps and high-octane performances.

In 1977, The Dirty Dozen Social Aid and Pleasure Club in New Orleans began showcasing a traditional Crescent City brass band. It was a joining of two proud, but antiquated, traditions at the time: social aid and pleasure clubs dated back over a century to a time when black southerners could rarely afford life insurance, and the clubs would provide proper funeral arrangements. Brass bands, early predecessors of jazz as we know it, would often follow the funeral procession playing somber dirges, then once the family of the deceased was out of earshot, burst into jubilant dance tunes as casual onlookers danced in the streets. By the late '70s, few of either existed. The Dirty Dozen Social Aid and Pleasure Club decided to assemble this group as a house band, and over the course of these early gigs, the seven-member ensemble adopted the venue's name: The Dirty Dozen Brass Band

Roger Lewis - Baritone Sax/Vocals

Kevin Harris - Tenor Sax/Vocals

Gregory Davis - Trumpet/Vocals

Kirk Joseph - Sousaphone

TJ Norris - Trombone/Vocals

Julian Addison - Drums

Takeshi Shimmura - Guitar